Friday, March 26, 2010

check this out!

http://oaklandlocal.com/blogs/2010/22/under-radar-event-picks-week-0
------------------------
-- Corey & Alexi

* * * * *

well obviously we have discovered a powerful marketing word: UNCOMFORTABLE! Now I have to live up to expectations!

You're making me uncomfortable!: Plan your weekend early. It looks like Temescal Arts Center is the place to be Saturday night if you want to do something out of the ordinary. The Uncomfortable Zones of Fun: experiments in experience/participation performance. "World-known shaman performance artist Frank Moore, will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting to create altered realities of fusion beyond taboos." I'm not sure what that means, but the LA Reader called it a "mind-goosing experience" so that sound like something I'd like to be a part of. The announcement says to bring your passions and musical instruments and your senses of adventure and humor. Admission is Free!

In Freedom,
Frank Moore

Tuesday, March 23, 2010

TWO UP-COMING PERFORMANCES!

all of the sudden we are busy!
http://www.eroplay.com/events.html

The Underground Hit!

CRITIC'S CHOICE: East Bay Express

THE UNCOMFORTABLE ZONES OF FUN
experiments in experience/participation performance

Frank Moore, world-known shaman performance artist, will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting to create altered realities of fusion beyond taboos. Bring your passions and musical instruments and your senses of adventure and humor. Other than that, ADMISSION IS FREE! (But donations will be accepted.)

Saturday, March 27
8pm

TEMESCAL ARTS CENTER
511 48th Street
Oakland, CA 94609-2058
For more information
Call: 510-526-7858
email: fmoore@eroplay.com
http://www.eroplay.com/events.html
http://www.temescalartscenter.org/

2010 Dates!
Saturday, April 24
Friday, May 21
Saturday, June 26
Saturday, July 31
Saturday, August 28
Saturday, September 25
Friday, October 22
Friday, November 19
Friday, December 17

"...He's wonderful and hilarious and knows exactly what it's all about and has earned my undying respect. What he's doing is impossible, and he knows it. That's good art...." L.A. Weekly


“Merging improv, erotica, entertainment, religion and ritual, Frank Moore – self-styled shaman, world-renowned disabled performance artist, and 2008 presidential candidate ...." – East Bay Express

Resisting "the easy and superficial descriptions..., Moore's work challenges the consensus view more strongly in ways less acceptable than...angry tirades and bitter attacks on consumer culture." Chicago New City

"If performance art has a radical edge, it has to be Frank Moore." Cleveland Edition

"Transformative..." Moore "is thwarting nature in an astonishing manner, and is fusing art, ritual and religion in ways the Eurocentric world has only dim memories of. Espousing a kind of paganism without bite and aggression, Frank Moore is indeed worth watching." High Performance Magazine

"Surely wonderful and mind-goosing experience." L.A. Reader

Downloadable poster here:
http://www.eroplay.com/UZOF_MARCH_2010.pdf

http://www.eroplay.com/events.html





EROTIC FRICTION

a rare San Francisco appearance of
Frank Moore, world-known shaman performance artist
conducting an experience/participation performance

8 P.M.
Saturday, April 17, 2010
sliding scale of $5 to $25

Center for Sex and Culture
1519 Mission Street
San Francisco, CA 94103
415-255-1155
info@sexandculture.org
http://www.sexandculture.org/

For more information, contact:
510-526-7858
fmoore@eroplay.com
http://www.eroplay.com

”His stamina is unrelenting, and the music goes on and on. I am repelled but stuck: I can’t turn away.”
San Francisco Weekly, 2001

"Best of the Bay Area!"
S.F Bay Guardian

“....San Francisco’s legendary Frank Moore...(is among)...the best and most influential artists in the discipline.”
L.A. Weekly 2003

"One of the few people practicing performance art that counts."
Karen Finley, performance artist

“Frank Moore is one of my performance teachers.”
Annie Sprinkle, performance artist

"...one of the U.S.'s most controversial performance artists,...."
P-Form Magazine

"...He's wonderful and hilarious and knows exactly what it's all about and has earned my undying respect. What he's doing is impossible, and he knows it. That's good art...."
L.A. Weekly

Resisting "the easy and superficial descriptions..., Moore's work challenges the consensus view more strongly in ways less acceptable than...angry tirades and bitter attacks on consumer culture."
Chicago New City

"If performance art has a radical edge, it has to be Frank Moore."
Cleveland Edition

Sunday, March 21, 2010

Re: ampb report #95

(Rafael-alexandre Ramos wrote:)

Much needed Informations,

Thank you frank,

Rafael :)

* * * * *

you are welcome!

In Freedom,
Frank Moore

Sunday, March 14, 2010

ampb report #95

Dear Readers,

Micro-radio continues to perform a great service to many people and in some areas the only station with local content will the the so-called “pirate” station. Operations like Clear Channel have done such a bad job of serving the public they deserve to get their licenses pulled. Every now and then these mega-stations have to renew their licenses and that’s when you will hear these boring announcements about soliciting comments from the listeners. That is your time to act. Write to these stations and tell them what a lousy job they are doing. It may not force them off the air, but it does go on their “permanent record”. Meanwhile, more and more people have started up a micro-station in their area and they deserve your support. We need a free press to keep the politicians on their toes. Here in Berkeley, our local free weekly, the Berkeley Daily Planet, was forced to stop publishing due to strained finances. It didn’t help that their payroll company made off with a wad of their money and the local zionist fanatics organized an intimidation campaign toward their advertisers. The result is that Berkeley, the home of the so-called free speech movement has lost a voice of reason and debate. Still we continue to speak our minds at Berkeley Liberation Radio and we hope you will support us always.
-Paul Griffin (for the AMPB)


STATION ALERT
Pirate radio still playing in Erie
By DAVID BRUCE

One of Erie's radio pirates is broadcasting again, even though the federal government has ordered him to shut down his illegal station. Marshall Jones, 524 W. 17th St., was cited Feb. 2 by the Federal Communications Commission for having an unlicensed radio station. Shawn McKines, 908 Parade St., was also cited that day by the FCC.McKines has stopped broadcasting at 89.5 FM, but Jones continues to intermittently play soul, reggae and gospel music at 90.1 FM. "I'm only broadcasting at the legal limits for a low-power station," said Jones, 40. "As long as I'm legal, I'm fine."

That's not true, FCC spokesman Peter Doyle said. Operating a low-power station requires prior approval from the FCC. Jones said he has not sought approval because the FCC hasn't accepted applications for low-power radio licenses since 2001. He might not be permitted to ever have a low-power license, Doyle said. "Congress has passed legislation stating that anyone who has received a notice of unlicensed operation is banned for life from owning a low-power radio station," Doyle said. "Though they can own a full-power station." Besides not being allowed to ever own a low-power radio station, Jones and McKines each face fines, imprisonment and confiscation of their broadcasting equipment. A club disc jockey and former announcer at Gannon University's WERG-FM, Jones said that he started broadcasting in October because there wasn't enough urban music being played in Erie. "Blacks, whites, Hispanics all had a major concern about the type of music played in Erie 24/7," Jones said. "It was my mission to get this station up and running." Jones said that he started broadcasting at the low-frequency limits, then increased power. "The response from people was so strong that I just turned it up," Jones said. "Then someone ratted me out to the FCC." One problem was that Jones' signal was intruding on the signals of other, licensed, radio stations, said A.J. Miceli. An FCC resident agent from Buffalo visited Erie on Jan. 27 and determined that Jones' radio signal far exceeded the limits for nonlicensed devices. The station's music could be heard in various parts of Erie. "I gave the people what they wanted," Jones said. "The response was overwhelming."Doyle referred questions about FCC enforcement to another agency department. Calls to that department were not returned Wednesday.


How To Turn an FM Transmitter into a Micro Pirate Radio
— Mathew Honan
Corporate radio is preprogrammed junk. But don’t curse the DJ; seize the airwaves! With a soldering iron and a cheapo FM transmitter — the kind used to play an iPod through a car radio — you can transform your humble Honda into a Radio Free Civic that can broadcast your tunes up to 100 feet.
1. Pry open the transmitter’s case with a putty knife and remove the internal antenna (often labeled ant).
2. In its place, solder a telescoping antenna or a piece of copper wire — no more than 35 inches long for broadcasting within the standard FM transmission spectrum.
3. The transmitter may have a resistor, typically marked with an r, to limit the power of the signal. Replace it with copper wire to boost the transmission.
4. Slap a bumper sticker on your ride advertising your station’s frequency. You’ll soon build a grateful audience of fellow commuters suffering through that traffic jam.




STATION ALERT
Pirate radio pair going legit with new station
For years, Bakersfield residents Jake Chavez and Greg Looney have kept one step ahead of broadcast regulators with their "pirate radio" stations -- low-wattage broadcasts operating without a license. Now the pair are making it legal with a fully licensed station they hope will be on the air within the year.

Chavez and Looney met some 20 years ago, when both worked at KBCC, the cable-access radio station that used to operate at Bakersfield College.

"When KBCC got canceled, all of us were left hanging, wanting to do something," Looney said.

Looney said that "something" included operating a number of pirate stations and an Internet radio operation, all of which were shut down by the FCC. The two have also had day jobs -- Chavez has worked at American Fabrication for the last 15 years, and operated Downtown Records for seven years until selling it 15 months ago. Looney works as a bartender in Bakersfield.

Chavez said the inspiration for starting the station came from a representative of the Common Frequency Project, a non-profit group out of Davis that promotes community radio stations, community activism and a non-commercial, eclectic mix of music. Chavez said the representative came into his record store looking for someone who might be interested in applying for a station. "He found the right guy," Chavez said.

Chavez said he and Looney applied three years ago, after the FCC opened up a small number of new stations under the NCE and low-power FM categories. "There wasn't much space on the dial in Bakersfield," Chavez said.

On Nov. 5, the Federal Communications Commission awarded the pair a construction permit to build KSVG, a 180-watt FM station, in Mettler. Chavez and Looney have three years from that date to be broadcast-ready with a format usually described as "freeform" radio.

"We're going to be a cool college radio station," Chavez said. The station is to broadcast on 89.9 FM, part of the non-commercial education band (NCE) that typically includes public radio stations such as KVPR. According to Chavez, a community station can broadcast music, but has some other requirements. "We have to supply some educational programming, get students involved," Chavez said. Chavez said Common Frequency set him up with Bay Area FCC attorney Michael Couzens and Portland, Ore., engineer Michael Brown to assist with the initial application. Chavez and Looney also teamed up with The Empty Space theater group, which has a 501c3 designation, a requirement for the application."They've been really good to us," Chavez said, adding that control of the project will soon be transferred to the station's own 501c3, Kern Community Radio, Inc. Chavez estimates he needs around $100,000 to build the station, half of which he hopes will come from a grant from the Public Telecommunications Facilities Program. His business plan anticipates ongoing support from corporate sponsorships. Starting a radio station from scratch -- even a low-wattage station -- seems like a big risk in an economic climate that isn't friendly to any type of business, let alone a business that faces game-altering competition. Jake Chavez and Greg Looney need to raise about $100,000 to get their tower built and broadcast equipment installed and operational. Chavez said he got the figure from a quotation given him by Harris Broadcast Services, which estimates $91,203.64 for the transmitter, antenna, broadcast equipment, transmission lines and other equipment. Chavez said he plans to raise the money through grants, corporate sponsorships, even such grass-roots fundraisers as car washes.


AMPB LINKS ON THE WEB


Former Veep Goes Girly-Man, Has Hissy Fit in Pages of New York Times
http://bigjournalism.com/kashiver/2010/02/28/former-veep-goes-girly-man-has-hissy-fit-in-pages-of-new-york-times/


School used student laptop webcams to spy on them at school and home
http://www.boingboing.net/2010/02/17/school-used-student.html


Research Ties Diabetes Drug to Heart Woes
http://www.nytimes.com/2010/02/20/health/policy/20avandia.html


The Snitch in Your Pocket
http://www.newsweek.com/id/233916


We Are Anonymous. We Are Legion. We Plead Guilty In Court.
http://techcrunch.com/2010/02/23/we-are-anonymous-we-are-legion-we-plead-guilty-in-court/


Top aide to Sarah Palin resigns
http://www.politico.com/news/stories/0210/33429.html


Iraq's New Death Squad
http://www.thenation.com/doc/20090622/bauer


Tawkon Measures The Radiation Spewing From Your iPhone
http://techcrunch.com/2010/03/04/tawkon-iphone-radiation/


6 Elements Every Conspiracy Theory Needs
http://www.wired.com/magazine/2010/02/pl_print_conspiracy/


A Detention Bill You Ought to Read More Carefully
http://www.theatlantic.com/politics/archive/2010/03/a-detention-bill-you-ought-to-read-more-carefully/37116


Defectors Say Church of Scientology Hides Abuse
http://www.nytimes.com/2010/03/07/us/07scientology.html


All the news the big outlets would rather you didn’t get... in a handy RSS feed
feed://conspiringtimes.com/news/?feed=rss


THE MILITARY IS KILLING HAWAII
http://www.newpacificvoice.com/du/


Check out my youtube videos
http://www.youtube.com (search for CAPTAINFRED999)


AMPB REPORT
record chart for the week ending march 13, 2010


# TITLE - ARTIST - LABEL
1 GLITTER AND DOOM LIVE-TOM WAITS-ANTI
2 I'M NEW HERE-GIL SCOTT-HERON-XL
3 ESTE MUNDO-RUPA & THE APRIL FISHES-CUMBANCHA

4 30 YEARS OUTSIDE THE BOX-YO-YO MA-SONY

5 BAIONARENA-MANU CHAO-NACIONAL
6 NEW WORLD FLAMENCO-TIERRA NEGRA-CGD MUSIC

7 HANK WILLIAMS DIED...-JOE SWANK & THE ZEN PIRATES-(INDY)
8 SOLDIER OF LOVE-SADE-SONY
9 BORDERS Y BAILES-LOS TEXMANIACS-SMITHSONIAN

10 IMAGINARY TELEVISION-GRAHAM PARKER-BLOODSHOT
11 PUTUMAYO PRESENTS ESPANA-VARIOUS ARTISTS-PUTUMAYO
12 (SELF TITLED)-PROJECT TRIO-(SELF-PRODUCED)

13 THE SECRET SONG-DJ SPOOKY-THIRSTY EAR

14 THE MELODY OF RHYTHM-BELA FLECK & FRIENDS-E1

15 THE LIVE ANTHOLOGY-TOM PETTY-REPRISE
16 KARAM-KIMI DJABATE-CUMBANCHA

17 FOR ROSA, MAEVE AND NOREEN-SAMUEL JAMES-NORTHERN BLUES
18 COMMON PROSPERITY-PREZIDENT BROWN-TOMORROW'S CHILDREN
19 TIME FOR THREE-FERVENT TRAVELERS-E1
20
VAMPIRE-GREENSKEEPERS-OM
21 THE RESISTANCE-MUSE-WARNER BROS.
22 GOD'S FAVORITE BAND-ASYLUM STREET SPANKERS-YELLOW DOG

23 PUTUMAYO PRESENTS JAZZ AROUND THE WORLD-PUTUMAYO

24 COMING BACK FOR YOU-PRESSURE-RYMSHOT

25 DREAMIN' MAN LIVE-NEIL YOUNG-REPRISE
26 WAKKA CHIKKA WAKKA CHIKKA-VARIOUS ARTISTS-(INDY)
27 YA FOY!-SARAZINO-CUMBANCHA

28 BUSHROCK-10 FT. GANJA PLANT-ROIR
29 (SELF TITLED)-STREET SWEEPER SOCIAL CLUB-S.S.S.C.

30 PIANO SONATAS...-SUSAN KAGAN-NAXOS
31 IGNORE THE IGNORANT-THE CRIBS-WARNER BROS.

32 THE CRICKET'S ORCHESTRA-MEAGHAN SMITH-SIRE

33 THE ROUGH GUIDE TO AFRICAN STREET PARTY-WORLD MUSIC NET

34 CALLING ALL DAWNS-CHRISTOPHER TIN-(INDY)

35 THE NIGHTINGALE IN LOVE-ROBERT STALLMAN-BOGNER'S CAFE
36 ZEBU NATION-RAZIA-CUMBANCHA

37 SAN PATRICIO-THE CHIEFTAINS-BLACKROCK

38 LIVE AT MAUCH CHUNK-WAILIN’ JENNYS-RED HOUSE
39 PLASTIC BEACH-GORILLAZ-EMI

40 MIDNIGHT AT THE MOVIES-JUSTIN TOWNES EARLE-BLOODSHOT




CAPTAIN FRED’S WORLD CRUISE #95
this show can be downloaded from:
http://www.radio4all.net or http://www.archive.org


Taxman-Stevie Ray Vaughan
Yoyoyo-Razia
White Flag-Gorillaz
Soldier of Love-Sade
La Iguana-The Chieftains
One Big World-Sarazino
Lucky Day-Tom Waits
Ntolilo-Massukos
Pasapeanas-BIella Nuei
Multiphonic-DJ Spooky
Me and the Devil-Gil Scott-Heron
More Questions Than Answers-Graham Parker
Love Conquers All-Pressure
Allegretto Scherzando-Susan Kagan
Volkswagen Thing-Asylum Street Spankers
Este Mundo-Rupa & The April Fishes
El Troquero-Los Texmaniacs
Djombé-Kimi Djabaté
Volver, Volver-Manu Chao
Motherless Child-Wailin' Jennys
Kia Hora Te Marino-Christopher Tin


AMPB REPORT#95
A PUBLICATION BY THE ASSOCIATION
OF MICRO-POWER BROADCASTERS


AMPB
PMB 22
2018 SHATTUCK AVE.
BERKELEY, CA 94704


ampb@att.net


Special note for my readers:
I’m still unemployed and looking for work. I have experience as a warehouse manager, retail store assistant, radio dj, editor, painter, audio technician and recently learned how to do electrical work. If you know someone in the San Francisco Bay area, who might need my services, please won’t you put them in contact with me? Thanks!


If you feel you have received this email by mistake, simply reply with the word “REMOVE” in the subject area and we’ll take you off the list. We don’t mean to be a bother. Thanks for reading!

Re: We love your cd!

Hi Frank,

You are very kind and I appreciate that our music is being played on luver. You have accumulated so much music in your archives, it's a wealth of creativity that I have been enjoying searching through.

I will keep the interview/performance offer in mind and when I plan to come to San Francisco I will definitely contact you in advance because I would love to be on the show. I will also work on some "luver drops" as well.

Thanks again for being so generous!
Take care,
David

David Sait - guzheng
www.guzheng.ca

* * * * *

"a wealth of creativity!" That's what we at LUVER feel like! And it is a very deep wealth with many aspects.

Thanks for the kind words!

In Freedom,
Frank Moore

This week on Maximum Rock N Roll on LUVeR! (3/11/10)

Aired March 11, 2010 at 4pm pacific on http://www.luver.com

MAXIMUM ROCK N ROLL
tape #97
58 minutes
hosts: Tim, Ruth, Jeff
guests: MoFo from Thrasher Magazine

Side one
1. Oya Seco (Brazil)

from the East Coast:
2. The Burnt "Teacher’s Pet"
3. G.I. "Puppet On A String"
4. United Mutation "DC Screws the World"
5. Violation "Smoke Pot & Die"
6. Youth Core "Get a Gun"
7. Youth Core "Sick of Pain"

from England:
8. Anthrax "Violence is Violence"
9. The Destructers "Understand"
10. The Actives "Attack"

11. Payer "The Walk" (Iceland)

from Canada:
12. SNFU "Life of a Big Lady"/"This is the End"
13. The Stretch Marks "Who’s In Charge?"
14. Youth Youth Youth "Domination"
15. The Neos "Look Around in Despair"

Skate Music:
16. JPA (Jody Foster’s Army)
17. Guest: MoFo from Thrasher Magazine

Side two
1. Guest continued
2. The Drunk Engines "Pumpshank"
3. Guest continues
4. Los Olvidados "Don’t Cry"
5. Guest continues
6. Faction "Skate Harassment"

from Italy:
7. Nabad
8. Europe’s Arse
9. Fibraccio

10. The Meatmen "Mystery Track"

Download the show from the LUVeR show page:
http://www.luver.com/maxrnr.html

Subscribe to the podcast:
http://feeds.feedburner.com/MaximumRockNRollPodcast

Get past shows here:
http://mrnrpodcast.blogspot.com/

Roger Sussman - Google

(Evan wrote:)

Tell Roger to write his own story and pay for placement on Google above the court thing

* * * * *

thanks, Evan! And thanks for tuning in. Have you listened/watched LUVER before?

In Freedom,
Frank Moore

* * * * *

No, was not aware of it till Roger emailed yesterday me about his upcoming appearance yesterday.

I really enjoyed some of the music that was playing after the show.

peace,

evan

* * * * *

great! Hope you keep listening!

In Freedom,
Frank Moore

Sunday on the Shaman's Den

we recorded the show last night. We explored in depth the politics of food and the history of FOOD NOT BOMBS. Sounds dry, doesn't it? Well, John the Baker provided live mood music throughout the entire show... John and I did a couple of our duet hits [written by John] full hard-core kick-ass heart attack inducing volume! Even Roger broke out with MR. TAMBOURINE MAN! And we handled issues of farts, shits, and googling!

this Sunday we are replaying the entire show!

Frank Moore's Shaman's Den
Sunday, March 14, 2010
Roger Sussman with John the Baker!
http://www.foodnotbombs.net/
http://www.myspace.com/johnthebaker

To tune into this live, video show, go to http://www.luver.com/listen.html
and click on "watch here".

Show starts at 8pm Pacific Time

This week on Maximum Rock N Roll on LUVeR! (3/4/10)

Aired March 4, 2010 at 4pm pacific on http://www.luver.com

MAXIMUM ROCK N ROLL
tape #96
61 minutes
hosts: Tim
guests: Rob Noxious from Intensified Chaos (from Berkeley)

Side one
1. War Baby "So You’re An Anarchist?"

International Stuff:
2. BGK "Arms Race (Holland)
3. OHL
4. Red Tide "Direct Action" (Vancouver, Canada)
5. PSA "Human Rights, Not Violence (Italy)

from England:
6. Fallout "PC Acne"
7. The Oppressed "Riot"
8. The Actives "Riot"
9. Abrasive Wheels

from California
10. Sin 34 "War At Home"
11. Channel 3 "I’ll Take My Chances"
12. 13 "Rocket In My Pocket"
13. Aggression "Body Count"

14. Guest: Intensified Chaos

Side two
1. Guest continues: Rob Noxious and his little sister

from East Coast:
2. No Trend "Mass Sterilization"
3. Government Issue "Hall of Fame"
4. The Money Dogs "America’s Falling"
5. Exiled "Rock Product"

Neo Mod:
6. The Jam "News of the World"
7. The Jolt "I Can’t Wait"
8. The Teen Beats "Strength of the Nation"
9. The Purple Hearts "Millions Like Us"

10. The Croppy Boys "Hound Pound"

Download the show from the LUVeR show page:
http://www.luver.com/maxrnr.html

Subscribe to the podcast:
http://feeds.feedburner.com/MaximumRockNRollPodcast

Get past shows here:
http://mrnrpodcast.blogspot.com/

Re: saturdays show/event/thing (Erika)

(Erika wrote:)

fun to hear about how the performance went on!

Re: last night's performance II

(Erika wrote:)

amazing!

Re: saturdays show/event/thing

Hello Frank,
my name is gabriel, and i attended your event on saturday night. i was inspired and moved by the peice, particularly the effect that it had on sarah, the young woman who partnered with you for gestures. after the show, a group of us went out to the essex, a hot tub in a private backyard in berkeley and continued the loving. much touch was shared and a beautiful time was had by all. at one point, we remarked that it was very true that you "get results". the eight of us probably would not have had this connection without you, and i am very grateful. here is some poetry that we have shared with each other about the experience.

La Loba, the wolf-woman, is on my mind come morning. Did you know her only job is to collect the bones? She collects the bones of wolves and puts them back together again. She makes them alive again.
Put us back together again.
Better than food, better than sleep and more than either. Forget that you’re hungry and tired. My mind is riddle short-circuited tonight, and we are ageless in this moment.
A boy jumps up and down toward the moon, unashamed to be naked. A couple faces each other in meditation. Two people hold each other. A radiant girl spreads her arms and lets the moonlight fill her. We are glowing the most delicate pale blue in the dark, and my eyes will be singing this for days.
I never want to paint anything but this. I can never paint this.
In the circle we made, I am breathing in your breath as you breathe mine. Did you know the ancient Hawaiians kissed like this? honi, breath is sacred.
Now we’re feeling the power of an arm extended, of yes, come here and be with me. We’re feeling the pain of scalding hot water against skin.
yes and thank you. I don’t know any other words.
Prayer is in every look, touch, and longing. Prayer is in the way the beauty brands your soul. Give up your comfort for this.
yes and thank you and yes.
My feet are grounded in the earth and nothing is wrong. Can you feel all this life running through you? Until I saw that moon, I had forgotten that I could feel so much wonder.
thank you thank you thank you.
The joy makes us run through the streets.
-Hope Zane


we stand naked and steaming, four men and four women, limbs intertwined
touch flows between us like the wind through a stand of trees, our hands know what to do, where to go, what spot is in need of that medicine, that magic, that tender shock of electricity that is a kind hand, delicately placed, a reminder that we are alive, that we are loved.
our bodies and our breath meld with the moonlight, we sink into the ground, our roots run together like the redwood trees above us, we draw sustenance up from the earth, from each other.
oh to be human, naked and human and holding other humans. to open ourselves to desire, and to fulfillment.
we give and we receive, with no expectation of reciprocality or fairness, only with the knowledge that we are all holding each other in tender fingers, that we are all one skin, one breath, one body, one earth.
-Gabriel Vieira (me)

* * * * *

great to hear that the performance went on, Gabriel!

In Freedom,
Frank Moore

Re: last night's performance (Erika)

(Erika wrote:)

Loved reading your write up. It was an amazing night!

Re: last night's performance

Frank,

Thanks for having me at your performance the other night. I hope I didn't offend anybody by answering your questions as monosyllabically as possible. Mainly the reason I said only "no" when asked to tell how I felt was that I mostly don't understand feelings, particularly my own, and I was unable to suss out how I felt at that time. If you have any advice as to how to get better at that, I'd be interested to hear it.

Cheers,
--
-Doug

* * * * *

hey, Doug, if you offended anyone, fuck em for having limiting pictures! It is perfectly understandable to need time to digest it. it was obvious that you enjoyed it.

Try just start talking and see what comes out! I rarely know what's going to come out of me!

I am glad you came! Come back!

In Freedom,
Frank Moore

"The Battle For Public Access" Pt. 4 on BTV, Berkeley Community Media, Ch. 28, March 2010

AND THIS IS A MUST SEE, BLOWING EVERYTHING OUT OF THE WATERS!

In Freedom,
Frank Moore

* * * * *

"The Battle For Public Access" Pt. 4
on BTV, Berkeley Community Media, Ch. 28
March 2010

Tuesday, March 16 10:00 PM
Wednesday, March 17 6:30 PM
Friday, March 19 2:00 PM

you can watch the show online at:
http://www.betv.org/btv28/btv.asx

last night's performance

Ah! How do you measure success in a performance? Maybe when the audience [the people who come to the performance] start crying uncontrollably over releases of blocks that just disappeared just by walking through them with willingness and trust. Or maybe when a young sexy co-ed rocks nude on your lap, arousing all kinds of new possibilities. Or maybe when you attract a wide range of people, all ready to go all the way into the volcano, melting into a cozy little joyful community, willing to be uncomfortable and whatever else it takes to go into adventures of fun, floating on the mood music of Kene-J and a psychology grad student… The community so strong that they [most of them] kept staying, playing together, long after the “performance” was “over”, and then most of them went to an apartment of one of them to continue hanging out together! And I’m not even getting into what they said of how the performance effected them! [see below for that!] I am just glad I didn’t get in the way of the potential of the night!

Yep! It was a great deep success! And the series is clearly building, tapping into the young art school student community, among other groups. Ah, yes, very dangerous and subversive! You need to do something for at least a year to start this kind of building. And it goes in waves. The art student came months ago. She went home all Shining and open and vulnerable and creative. Her roommates and friends saw the changes in her. So when they came, they were ready to go into it explicitly. This audience was the most explicitly ready in over a year! The new title seems to be working! THE UNCOMFORTABLE ZONES OF FUN seemed to attract people who are coming to work for the depth of fun that requires risk. It also seemed to screen out the whiners who use their fragile limited zones of so-called comfort to make sure they are in control. I love when a title works!

And now there are more Shining people walking around infecting others! Extremely satisfying and dangerous and subversive!

DA BOYZ:

We were extra early, and it was great to have the time! But by 10 minutes to 8, only one person had showed up, a "middle-age" guy in a blazer and plaid shirt, who ended up sitting on a chair reading some book that he had brought, waiting for the performance to begin, after being invited to sit down on the mats! It was the first performance with the new title: "Uncomfortable Zones of Fun" .... would anyone show up? Did people realize that it was the same series? When we had been fliering, everyone we ran into recognized the flier as the same, even though the title was different ... they immediately recognized it as the same thing ... but there was this feeling that this might be the performance that no one came to ...

And then people came pouring in!

A young blonde woman in a sweatshirt came in, along with a big guy who sat up against the back wall ... she was curious, right off the bat, as to what this was going to be ...? Frank said, "Who knows?" and something like that he makes it up as it goes along from the people who come ...

And then the young CCAC student who had come to the December performance came in with two friends, followed by a brightly attired older woman with her friend, and then a woman in black with glasses ... and then more people! A young long haired dude, a couple of young guys, one with wild blonde hair, and the other with short dark hair ... and a young woman ... and more people came in after them as well! The room was filling up, and Frank asked the CCAC girl to "warn them" about the performance ... he asked her what happened after the last performance ...? She said she had come home, and had written a lot, and then took a long hike the next day with her friends, and that she had felt like a different person ... Frank asked her if she had brought what she written? Or did she remember it? She remembered a few lines ... they were very deep. Her friends on either side of her talked about how she was after the performance ... her long curly haired smiley friend said that she was glowing after the performance ... her shy short haired soft spoken friend said that she had talked about Frank, that they had to meet him, that she had felt like she had met someone very special, amazing. Frank asked the short-haired girl why she had come ...? She said that she wanted to learn something about herself ...

Frank talked with the young dude ... he had heard about it also from the CCAC girl ... we didn't really hear what he said, but it was something along the lines of that he was an artist, but not really going to the school ... it brought up the story of Frank's time at the SF Art Institute, and how he had gone there to be with other artists, and do stuff, get things going! But how most of the other students and teachers were ... ignoring Frank, angsting, drinking beer, not excited to try things ... Frank said he liked failing! If you aren't willing to fail, you can't do anything. Everyone there seemed to really get this, and really liked Frank saying it ...

Frank talked with the pair of women friends ... one of the women, who really enjoyed talking in the mic!, said that she was a teacher of art to "naughty" teens ... her friend was studying to be a "sacred courtesan". The teacher had looked on squidlist, and saw "uncomfortable fun", and said that was it for her! Frank asked her if she felt uncomfortable? She said she did, which she said was good! Frank said, "And I haven't even gotten into the nudity or eroticism yet!" Oh!! Right! she said ... She guessed that could be part of this! And why not! We've all done that! Frank talked with her about her teaching ... how were the kids "naughty"? She said that some of them might lift your wallet at the grocery store, but most of the kids were sweet when you get below the surface, especially with the art ... Frank said wasn't that what art does? Soon he had her come up and read one of his poems, "No Can Nots", and Linda later gave the context for how the poem was written. She had to read it twice to really get it, and she really got it, loved it! Loved just being up beside Frank, reading one of his poems. She had a real exuberance!

Frank talked a bit with her friend, the "sacred courtesan", who was also a commercial real estate broker ... what was a sacred courtesan? She talked about being the muses of the world, opening things up, exploring sacred sexuality. Frank said, "Like me!" And had Linda give an overview of his work, and how he had to create new words to describe the physical states of play ... like "eroplay" ...

The woman sitting next to them, in black, with glasses ... she was doing her doctorate in clinical psychology, and was also in a band, which she really loved. What did she play? Keyboards ... Frank invited her to play! His band had not showed up this time ... but wait, one of them had! Kene-J was there, had just showed up ... so the two of them got started on the keyboards, and created a musical backdrop for the rest of the performance, which was soft and trancelike ... really nice.

Frank kept going around the room ... there was a guy who had seen the flier on poles all over, for a while ... he was attracted by the uncomfortable fun, like the teacher, but also was attracted to the "shamanic performance" aspect of it ... the "uncomfortable fun" made him think of stuff he had done at One Taste ... Frank and Linda told him about our One Taste experience! Frank freaked them out there! Gabe was impressed! It was the intimacy that had freaked them out ... Gabe thought that One Taste now was very much about intimacy, as well as sex ... Frank asked him to define "intimacy", and he talked about being together as who we are, without feeling we need to protect anything ... he said more that we can't remember, but Frank said it was a great definition.

His friend with the wild hair was a music teacher, and tried to organize people to start food coops ... another friend of theirs was there too ... she was attracted by the sound of the performance, "uncomfortable fun", going beyond what she was used to, pushing herself ... she liked doing things outside, growing food, cooking ...

Frank talked to the first woman who had come in ... she was a single mom, and at the moment was working as a petition drive organizer ... she was looking for something to do in Oakland, and the "uncomfortable fun" had also attracted her ... she was looking for new experiences ... There was also a guy there with a mohawk ... what attracted him to the performance? He said he lived in the neighborhood! Frank said, "I am lazy too!"

Frank had asked the shy CCAC girl what she wanted to do at the performance early on, and she had said she didn't know ... And now he came back to her ... he asked her what she wanted to do with him? He was all hers ... She said she was so fucking scared ... Frank asked of what? "Of things that I don't understand ..." Like? " ... things like sexuality and trusting other people ..." Frank asked her if she felt good to be there? She said she did, when she didn't have the microphone! Gabe held her hand ... It was very powerful, things suddenly dropped very deep. Frank asked Linda to describe gestures ... and then he asked Sarah if she would do gestures with him? She would. And he asked the rest of the group who else wanted to do gestures? A lot of people raised their hands, and Linda paired people ... the artist dude with the girl who liked to plant and cook ... the wild haired music teacher was paired with his friend Clay, another guy that Frank had not even talked with ... Erika was paired with Gabe ... the Sacred Courtesan was paired with the CCAC girl who had come to the December performance, and the art teacher was paired with her long haired friend from CCAC ...

And the gestures started! Sarah did the gestures with Frank, and the gestures started off all very intimate, hugging, rubbing bodies together ... Everyone was very game! It was soft ... At some point, Frank asked Sarah if she would take off her and his clothes? She said ok, and took off all of her clothes, and took off Frank's shirt ... and Linda and Mikee and Alexi got Frank's pants off ... Frank said that the rest of the pairings could take each other's clothes off too, if they wanted to ... Some did ... Erika and Gabe took each other's clothes off ... the teacher and the CCAC girl took each other's clothes off. One of the pair of guys, Clay, took his pants off ... by the end, the artist dude had his shirt off ...

The gestures continued ... they were deep, fun, intimate ... a lot of lying on top of one another, rubbing bodies together, and then a whole series of leg gestures! Knees, calves, thighs! At some point, Frank said that he and Sarah should continue to do what they were doing as the rest of the group continued with the random gestures that Linda was pulling ... the gestures had an amazing mind of their own, like always! Sarah lay across Frank's lap, resting her head on his shoulder, rocking ... At some point, Frank had Linda come over and rock the two of them ... we could hear Sarah crying, sobbing ... the feeling was very deep ... intense ... the rest of the group continued doing their gesture for a while ... at some point, the art teacher, the courtesan and the two other CCAC girls went over to the costume and jewelry pile and started trying things on, and picked up the gestures, and started reading out gestures for everyone to do ... they picked out the ones they wanted! Skipped the "knees" when they came up again! Meanwhile, Linda and Frank and Sarah rocked together ... it went on for a long time .... beautiful ...

At some point, Frank had Linda read wrapping/rocking, which was amazingly powerful ... we heard things in the poem that we had never heard before ... And then he had her announce the end of the gestures ... Frank asked Sarah to read his poem, "I Came To Play" Sarah sat next to him with the mic, and read the poem, crying at certain points ... it was so deeply powerful to hear her read it, and to feel her experience what Frank was saying in the poem as she read it... She cried with joy at the lines about how

I came to play
and I’m a dangerous player
because I don’t play
for money,
fame,
power,
or from anger,
bitterness,
hatred,
emptiness,
or to win…
so I can’t lose
can’t be beaten!

Everyone seemed to really feel those lines ...

And then Frank asked Sarah to talk about how she felt ... She said that she felt like she had come back from the land of the dead ... Frank asked her, "to home?" She said yes ... It was really intense... we were crying! Frank said because she was willing to risk, willing to trust. She said, right, she guessed that was all it took!

Then Frank went around the rest of the room, asking everyone about their experiences ... it was all very very deep. The girl from CCAC who had come in December said that there was a point in the night when she was ready to just leave ... she realized that this is the way that she deals with feeling uncomfortable ... but she didn't leave, she stayed ... she talked about how she has buried feelings, hoping that they go away ... the performance reminded her of a note that her friends had put on her door when she lived in a house with them ... it said, "you don't have to go anywhere, stay ... talk or don't talk, do or don't do ... whatever it is, its ok, we're here for you." She was crying too ... her friend, who was paired with the art teacher, said that a lot of her friends think that she takes a lot of risks ... but she felt like that wasn't really always true ... but that night she felt like she had, that she had taken risks, and it felt good ...

The art teacher said that she had a great time! She said that she had been to many workshops, therapy, that were meant to get to what this created ... and didn't ... but this took them all right there! She said she felt very comfortable! She was laughing at the fact that she had taken all her clothes off, and done the gestures, etc., and there was the camera! And its all on tape! But who cares!

Gabe said it was "revolutionary" ... Frank asked how? He said because it allowed people to be together, without barriers, without limits ... and if everyone could be together in this way, we could reorganize everything. Frank said he had run for president, and Linda said that his platform was laid out in order to reorganize society in this way! Everyone loved that. We heard, "I'd vote for you!"

The music teacher and his gesture partner Clay really enjoyed themselves ... they said that they may have held back a little because they knew each other ... but the main experience was that it had felt really good to be held ... Clay thanked Frank for the experience...

The artist dude said that he had just the other day been talking with a friend, at a party, about throwing bricks through bank windows, as a protest to change things, to alter society, government, and his friend had called him out on it. He had talked about how there are all different levels of government ... the elected government had really very little to do with how we live our daily lives ... there is a government that we create with each other in the way that we live our lives together, and that the performance made him think of that, and it was very liberating to feel how we could be with each other ...

Then there were the folks who had not participated in the gestures, but had stayed until the end, watching ... the single mom said that she had experienced feeling left out to a certain extent, that she wasn't really part of it, but she realized that she had made that choice ... Frank said that she was participating, by staying ... but that their experience has been that it is much harder to watch than to do ... She had experienced that. So had another young man who none of us had seen come in, but he had stayed for the entire performance, totally absorbed in what was going on. He said that he had also experienced feeling outside of everything, and that it had made him think about his tendency to remain aloof in relationships ... and to question that in himself ... it was really powerful to hear them talk about this. Another couple had come in late, and had also not participated, but the gal said that she had really loved the feeling, as soon as they walked in, and really loved watching the gestures, and that she would like to come again and participate. Alexi had seen them rocking together during the rocking gesture and wrapping/rocking poem ...

The keyboardist/psychology doctorate, said that she experienced a bit of that same feeling of not being part of it ... but her main experience was of how amazing it was, how beautiful ... she felt very loving toward everyone who was there ... she felt like she was part of it through the music ... and she also said that she was struck by how easy, given a framework, it was for people to come together in this way. That people just jumped right into it, given a way to do it, and that we need more of it. She was really glad that this existed.

And then Frank had Linda read his latest chapter, the "shit" chapter! It was a great way to "end" the performance ... But Frank had pointed out earlier that he didn't believe in applause, when everyone had clapped after the poem, "I Came to Play" ... because it is an end to something that doesn't really end ... like the performance ... And after the chapter, the performance was "over", but we heard people say, "Do we have to leave?" No one wanted to go ... and everyone stayed in a big group ... talking, playing around ... for a long time as we broke things down ...

At one point, the single mom came up to Corey as he was folding up the grey table, asking if she could help him ... it felt like it was another way that she felt that she could be part of things ... just that little gesture was very deep, and she helped Corey fold up the table ...

It sounded like the group was going off together to one of their houses ... really amazing. We couldn't believe how amazing the performance was, and were talking about all of the details as we broke things down, and the things that people said ... Totally blown away ...

We packed up the cars, cleaned up, swept up the room ... and it wasn't long before we were locking things up, and pulling away from Temescal ... another amazing performance! Linda had said at one point that it felt like we had won the Academy Award ... it was what all of Frank's work was about, intensely focalized into one performance!

Back here, it was unloading the cars, loving the kittens ... getting those pizzas in the ovens! Linda's birthday! Betty had called and left a message to tell us about the U.S. bobsled team winning the gold! It was one of her classic messages. So cute! "They just came down the mountain ... and won it all!"

Since we had been telling Erika about Freeway, we decided to show her the car scene, without commentary, so she could see Reece Witherspoon and Keifer Sutherland! Then we finished up the commentary, barely able to stay awake! The pizza was delicious, and then we finally got up and cleaned up, did the budget, did our teeth and headed to bed, to shower in the morning.

ERIKA:
We had everything set up early for the performance. We brought everything in two cars and got the back drops and lights set up, had cozy mats with blankets, a blanked for Jewelry including Betty's jewelry, totes of free stuff including Suzy tapes to give away and a display table with the new t-shirt that says "I survived the uncomfortable zones of fun" on the back. At first there was one guy there who sat in the back with a book. Frank said that maybe no one would come since he changed the name from "Reality Playings" to "Uncomfortable Zones of Fun". Not long after that a steady flow of people started arriving who were excited and ready to explore uncomfortable fun. At the end Linda said that the performance had been like the academy awards of all the years of performances because everyone who came really understood and wanted to be together in intimate uncomfortable fun, they really saw and felt what Frank is going for, what we are really about.
The first woman who came in was a single mother who manages petition offices. She saw the ad in the SF Gate and was looking for something different, something that would push her a little into something new. Then a group of art students from CCAC came. One of the women had come to the performance a couple of months ago and this time she brought some of her friends with her. Frank asked her if she warned everyone about the performance and she said no. He asked her how she felt after the last performance. She said that she felt like a different person, she had done a lot of writing and things opened up. She had two friends with her and they talked about what she had said when she came home from the performance. She was glowing and said that Frank was really amazing and that they really should come meet him. The other friend was quiet and said that she did not know what to expect but that she came because her friend had spoken so highly of Frank and what had happened to her by coming to the performance.

A couple more women had arrived by now. One of them was an art teacher of some naughty kids. She had found out about the performance on Squid List and was really drawn to uncomfortable and fun. She brought her friend with her. Frank asked her what kind of naughty her students were and she said oh, the kind that steal your wallet on the bus but underneath that there is sweetness and you just have to dig a little to find it. Frank said that art helped to find the sweetness and she said yes. She said she was a little uncomfortable now and Frank said that we had not even gotten to the nudity and eroticism. She said oh, yes that would be good, yes we have all done that. She came up and sat with Frank and read one of his poems a couple of times through. She wanted to make sure that she got it. Her friend was a real state agent who was studying with the Sacred Courtesans the muses who honor and bring out the good in people and explore sacred sexuality. Frank said just like me. The woman sitting next to her was a graduate student in psychology and she was also the keyboard player in a band so she went up to play keyboard with Kene-J who had just arrived. They jammed the rest of the performance.

There was a young guy who knew the art students and said that he hangs out with them but doesn't actually go to art school. Linda told the story about how when Frank went to school at the Art Institute they had gone to connect with other artists and instead found a bunch of people who drank and had anxiety over things instead of just trying things. Frank just tried things and wasn't afraid to fail and that really drove them nuts. Linda said it was really good that Frank had been doing art for years and years before he went to art school because the teachers there weren't supportive. It was a period of time in which Frank had really had to try hard to not get famous, just after the Outrageous Beautify Revue. Everyone at the performance could really relate to hearing about not being afraid to fail and doing art that was just under the radar.

There was another group of friends who had arrived. They had been seeing the flyers up for the performances for a long time and then told each other about it. Frank and Linda talked about Jim Sharp the guy who lives in the Berkeley Hills and goes around taking flyers down and spray painting over things and about they guys who are making a film about him. They had heard about him. Even though he and others go around taking the performance flyers down people still see them and come to the performances. One of they guys in their group taught music as a job and helped people to start up food cooperatives and there was a woman who really enjoyed growing things in the garden and cooking things. Their friend Gabe said that he was really attracted to the shamanic aspect of the flyer and that he had been to some workshops at One Taste. He was impressed to hear that Frank had put One Taste through changes and they had sicked their lawyer on him. He said that he thought that what they were doing at One Taste now was about sex and intimacy and Frank asked him what intimacy was. He said it was being with people as yourself, being willing to be vulnerable.

Frank went back to Sarah one of the art students and asked her what she wanted. He said that he was all hers and what did she want to do. She said that she was fucking scared. She said that she was scared of the unknown and did not understand sexuality. Frank had Linda describe gestures to everyone. Linda had a pouch full of physical gestures that people do from holding hands to rocking to laying on each other and exploring each others bodies and then she had a pouch of adjectives to describe the gestures like joyously, childlike, aroused. Frank had read a book about the gestures that humans do, put them on pieces of paper and started doing them in performances. Frank asked Sarah if she would come up and do gestures with him and she said yes. Then he asked who else would like to do gestures and most people did. Linda paired people up and pulled gestures out of the pouch, explore each others knees joyfully, rub each others belly's, lay on each other and explore each others bodies, rock each other, touch each others genitals for body pleasure and comfort. Frank asked Sarah if she would take her clothes off and if she would take his clothes off and she did. He said that anyone who wanted to could take their clothes off. The art teacher was paired up with one of the art students and they had a lot of fun, rolling around exploring each others bodies and taking each others clothes off and exploring each others bodies. Erika and Gabe took each others clothes off and some of the other pairs took some of their clothes off. We did gestures for about an hour exploring each others bodies in deep play and fun. Sarah was crying as she did gestures with Frank and it felt like she was realizing and melting into Frank and Linda who came up to rock her.

At some point some of the group went over to explore the costume and jewelry mat and dressed each other up and then started reading more gestures and the group followed along after rocking and holding each other. Frank asked Sarah if she would read "I came to play," and she did with tears coming down her eyes. Frank asked her how she was feeling and she said that she felt like she was alive again after being dead. She had gone into the gestures saying that she felt like she had been damaged. Frank said see it was easy because she was willing and trusted. She said yes that's all it took. Frank went around the room and asked people how they felt. The art teacher said that it had been amazing, that thanks to her partner who was so warm she was able to melt into it. For all the years of therapy or workshops she had been to this was really what she had been after the whole time. Her partner in the gestures said that she felt really open. She said that most people would say that she is a risk taker but she could see how she really isn't and how she plays it safe a lot of the time and that it felt great to have taken risks tonight. The art student who had been to the performance a couple of months before said that at a certain point she had gotten upset and when she gets upset she always leaves, but this time she stayed. The woman who was a psychology student said that she really felt how it is human nature and is easy for people to be intimate and be together in deep fun if they are just given the space to do it and she was really touched and moved by the evening.

There was a couple who came in during the gestures. Several of their friends were already there and doing gestures. They said that they walked into a wonderful feeling space and were just taking it all in. They had started rocking each other when everyone else was. One woman said that it felt really good. The guy she did gestures with she did not know before tonight and she had really enjoyed being physical and exploring. One of the guys who did gestures with someone he knew said that he had not taken as much risk as he could have but he thought that was because he knew the guy he was doing gestures with but that he had really enjoyed himself and he felt very close to his friend. Gabe said that he really enjoyed exploring being physical and sensual without the boxes that keep us from being with each other. There were a couple of people who had decided to not do gestures and they both said it was very hard to watch and not participate. One person said that she had a lot of things going through her head about herself and why she had chosen not to do the gestures. A guy said that he always felt like an outsider and it bought up a bunch of old stuff about his past relationships. Frank said that it has always been harder for people to watch than to do the gestures.

Linda read Frank's latest chapter from his novel about shitting and people really enjoyed it. There was a lot of laughter. A couple of people got up and started playing instruments and then the group of art students and the other group of friends became one group and were talking and being playful. They did not want to go. Sarah who had done gestures with Frank sat down and melted into the group of people. She was like a different person. The woman who said that she often leaves when she gets upset was inviting people over to her house. Frank told everyone that he was available for private performances and meeting with people. People hung around for a while and did not want to leave. They ate chocolate and drank water. Frank and Linda told the art teacher about Betty and all the jewelry she has given us and how much she enjoys that we wear it in the performances. We started to clean up and eventually everyone started to go. It was an amazing night. The name change to "Uncomfortable Zones of Fun," had brought people who were really willing and wanting to explore uncomfortable zones of fun and not just talk about wanting to, they jumped in. They loved and enjoyed Frank and us and leaped in and melted into the juicy intimacy. They were vulnerable and went deeply. It was a very moving and touching night, truly amazing!

In Freedom,
Frank Moore

Tuesday, 3.2.10, on The Talking Stick on http://www.luver.com

Tuesday, 3.2.10, at 2:00pm Pacific Time/11am Eastern Time on LUVeR - Love Underground Visionary Revolution, http://www.luver.com , The Talking Stick presented:

Milton Kerr cds:
“Sonic Insanity”, “Random Emotions” and “Double Mind”

Fw: Llori Stein commented on your wall post...

ana; this is for you...

In Freedom,
Frank Moore

* * * * *
Llori Stein commented on your wall post:

"i'm so not surprised the things... elements and people he and ana touched.. i remember that time when BUK was sick with his lukemia... and those close were endlessly in wonderment and fear... i was like "oh, he lives in infamy now..." and GKHB said something in the likes of.. "oh.. he'll be a university requirement... trust me.. doctorates.. here we come"... i can see.. dave.. ana... alpha beat... making kiddies and elderstatesmen who are now on the brink of their element (now that they have the time... you know how retirement can be for those who wanted to make time for their creation... but..) they will come across bouillabaisse" and go... "well.. son of my bitch" and embark on a journy...i would.. well, i did... tho- i was never pulbished by them... didn't stop me from recognizing something inevitable... if you see what i'm saying.. so.. (it's g'damned hard.. i wouldn't want to feel that way...too close) dave.. he woulda wanted that that way.. ya know? :D i can see him now.. 'come on.. push out that ejculatory erradication... present... and suck you son's o' bitches... come on! make this shit hole a better place... you got something to tell us... well.. come on... what's stopping you? something broken? :D i liked him because he under-freaking-stood.. (and boy.. i was POS in the small press.. many avoided me and still do.. but he was like... nah.. you no scare me chick! (he just didn't have the time.. and boy... coming to the whatnots they had to ordeal in... they were evutally limited on time and efforts in so many ways.. but weren't stopped no matter the sluggishness they eveloped.. what a shame... gkhb can revelate more on his feelings... the 90s were tough... i cna't see how they did it.. i knew so many back then who offed themselves....but d and a.... (dave and ana... i called them DNA) they laddered... so someone had something to climb... boy.. is it hard to climb... (ok, i'll stop now.. :D) thanks for keeping up... i've been sooo busy... NOT that i'm complaining... you aren't alone... tho- we're not close to DNA... this situation sure makes life cease a while... such a loss... it not technically or accordingly.... but esoterically and personally... too
damned soon... i tell ya what.... g'dmaned dave.. we just hooked back up... *shakes head* yep... bunches of grapes and crumbles of cookies... i hope ana is soldiering on... i fear the feelings and existance she now has... i would NOT want a life lost i love... for the ages... i couldn't do that... so empty and hard... i'm not that strong.. trust me... and i'm a terminally ill whatsoever and mr. b (gkhb) had a recent heart attack... eh.. age and living... so.. what are you about? i've been so departed from the small press and life overall.. so many new folks coming about.. just on the behalf of dave... it's amazing... if he only could see... the lives he touched... ain't that the shit?"


Re: wanna be in my show?

(Ava wrote:)

the barn was once a shoe fitting place for horses. what is now a VIP room for artists used to be a waiting room for horses, awaiting their new shoes. from a VIH (very important horse!) stall to a VIA (very important artist) room. how times have changed! neigh!

* * * * *

well, some artists take their horse in the waiting rooms in some clubs!

In Freedom,
Frank Moore

* * * * *

(Ava wrote:)
maybe frank will wear his mini-skirt on june 13th, if we're lucky!

* * * * *

I will if you will... Without anything under them... In Honor of your pussy poem. Do we have a deal?

In Freedom,
Frank Moore

Re: [photos of the flier-ripper] (K.A.) II

I agree with you. I probably wouldn't do it because it might be an invasion of privacy...or is it, I don't know. But I wouldn't antagonize her either.

Best,

KA


* * * * *

no, because she is doing it in public. So she is fair game! And she is doing it to induce confrontation.

In Freedom,
Frank Moore

Re: [photos of the flier-ripper] (K.A.)

Frank, the thought came to mind of the crew posting some fliers that contain the image of your neighbor tearing down fliers.

Keep flying,

KA

* * * * *

well, that would just give her juice and an opening for verbal abuse! She is the kind that even /especially when there's a "friendly" relationship, she verbally abuses you! I got her to give us the cold shoulder! Much better!

In Freedom,
Frank Moore

TO HOMELESSNESSNESS MARATHON AFFILIATES

We did it!

My thanks to all of you who aired the broadcast.

The digital archive is already up and running (thanks to Otis Maclay of Pacifica) at:

http://ku.audioport.org

It is listed under "Homelessness Marathon - 2010," and it's right there if you scroll down on that page. When it eventually gets pushed off the home page, it will still come up if you enter "Homelessness" in the search engine.

Questions, comments, complaints and, I must add, offers of any type are entirely welcome. We seem to have ended this Marathon at the beginning of a new phase. We have lots of ideas as to what this new phase could be, and we welcome the thoughts of others.

Again, many thanks to you all.

Jeremy

Saturday, March 13, 2010

L.A.C.E. Performance from 1992 up on The Intimate Theater

hi, Earle! At http://www.eroplay.com/intimatetheater/intimate.html we just put up the two hour video of the below show I did in Los Angeles. In a lot of ways it's one of the most "polished" things I ever did. It is a professional video in a high class theater. And it's the climax of my rock star performances which I had been doing for years in one form or another. After this, I went into live jams with large bands.

In Freedom,
Frank Moore

Tuesday, March 9, 2010

This week on Maximum Rock N Roll on LUVeR! (2/25/10)

Aired February 25, 2010 at 4pm pacific on http://www.luver.com

MAXIMUM ROCK N ROLL
tape #95
56 minutes
hosts: Tim, Ruth, Jeff
guests: Pissed Youth from Texas

Side one
1. Estagio Zero (from Brazil)

from Italy:
2. Nabat
3. Fallout "Reagan Hysteria"
4. Indigesti "No To The System"
5. Peggio Punks

from England:
6. External Menace "Someday"
7. Two-fingered Approach "Family Tradition"
8. Soldiers of Fortune " Autonomia"
9. Erazerhead "Rock n’ Roll Zombie"
10. The Skeptics "Violent Street"

from So. Cal.:
11. Machts Nichts "We Won’t Be Controlled"
12. Aggression "Brain Bondage"
13. Attila "Mr. Critic"

14. OHL "October" (from Germany)

Side two
1. Stasstroff (from Germany)

from the East Coast:
2. Target Cells "Cancer Stew"
3. Little Gentlemen "Rant Rant Rant"

from No. Cal.:
4. The Faction "Yesterday is Gone"
5. Bad Influence "IRS"
6. Sleeping Dogs "Soldier"
7. Slaughterhouse "Distortion"
8. Whipping Boy "Touch and Go"
9. Time Limit

from Texas:
10. Doomsday Massacre "Are You Ready"
11. The Offenders "Inside the Middle"

from England:
12. Special Duties "Punk Rocker"
13. Blitzkrieg "Land of Failure"

14. Guest: Pissed Youth from Texas
15. Pissed Youth

16. The Necros "Take Em Up"

Download the show from the LUVeR show page:
http://www.luver.com/maxrnr.html

Subscribe to the podcast:
http://feeds.feedburner.com/MaximumRockNRollPodcast

Get past shows here:
http://mrnrpodcast.blogspot.com/

we saw you on tv!

hey, Max! We caught you two addressing the city council last night on Channel thirty-three. You did good, as much as was possible. Keep in mind that the Mayor got caught on election eve taking all of the newspapers from the street bins because THE DAILY CAL endorsed his opponent Dean. So to him, it's reasonable /acceptable what Jim is doing!

and Kriss used the line "GOOD PEOPLE DO BAD THINGS" also to explain, or slide over or whatever, the Mayor's attempt at stupidity.

So that's the context of last night.

In Freedom,
Frank Moore

I finally did it!

CHRISTIAN LUNCH is finally up on myspace...check it out:

http://www.myspace.com/christianlunchinyerface

love,
Xtian

* * * * *

great bio, Xtian! Hey, Jonathan Pryce is one of my favorite actors! Who knew he was in your band!

In Freedom,
Frank Moore

Re: FRANK MOORE'S UNLIMITED POSSIBILITIES on BTV, Ch. 28, March-April 2010 (Tomi)

Buenos Aires

Lovely Linda

Thanks for the news.

"We will be playing the Monogamy video"

Unfortunately it isn't a video, it's only a slide show which is a sketch of
what I had hoped to be one day a film...

"on Frank's cable t.v. show"

You're sure you just want to grab it from YouTube and don't want me to send
you a better quality version?

"on Berkeley's Public Access station in April."

Great.

"Hot shit!"

How shall I interpret that?

Very wet kisses from far far away. (Our house has been flooded twice in a
week....)

From the Heart

Tomi

STREIFFSCHUSS FILMS AG

Tomi Streiff

* * * * *

it is a great video of slides! I made two feature length videos of slides.
See REALITY SHAPING HISTORY OF A PERFORMANCE ARTIST IN DIRTY PICTURES at
http://www.eroplay.com/intimatetheater/intimate.html.

I thought my first film was just a rough draft to show backers to get money.
But it got picked up by a distributor! We never know!

And hot shit is the best shit!

In Freedom,
Frank Moore

Re: FRANK MOORE'S UNLIMITED POSSIBILITIES on BTV, Ch. 28, March-April 2010

Hi Seth,

We are replaying the episode with one of your videos!

FRANK MOORE'S UNLIMITED POSSIBILITIES on BTV, Ch. 28
March-April 2010

you can watch the show online at:
http://www.betv.org/btv28/btv.asx

430. “Reality Playings” 9/26/09 Temescal Arts Center part one / Kindred Souls "Whatchagonnado?" / Dufus "Fun Wearing Underwear"
Monday, March 1, 11pm
Thursday, March 4, 11pm
Friday night/Saturday morning, March 6, 3am
Saturday, March 6, midnight

438. Jonathan Krop & Barb Orr / Persephone's Bees music videos (“Way to your Heart” & "New Love")
Monday, March 8, 11pm
Thursday, March 11, 11pm
Friday night/Saturday morning, March 13, 3am
Saturday, March 13, midnight

439. Kevin Becketti, Jawbone Press / Annie Sprinkle "Sluts & Goddesses" / Fidget "Vanity Fair" UNCENSORED
Monday, March 15, 11pm
Thursday, March 18, 11pm
Friday night/Saturday morning, March 20, 3am
Saturday, March 20, midnight

440. Persephone’s Bees + Jonathan Krop & Barb Orr / Persephone's Bees videos
Monday, March 22, 11pm
Thursday, March 25, 11pm
Friday night/Saturday morning, March 27, 3am
Saturday, March 27, midnight

441. “Reality Playings” 11/20/09 Temescal Arts Center / The Silver Buff Anti-Graffiti Vigilante Rips Down Posters / CPS - "Big Noise" / Fidget "Vanity Fair" / Snake River Conspiracy "Vulcan"
Monday, March 29, 11pm
Thursday, April 1, 11pm
Friday night/Saturday morning, April 3, 3am
Saturday, April 3, midnight

442. “Reality Playings” 12/18/09 Temescal Arts Center, part one / 2 clips and trailer from Vigilante Films / Monogamy / Lori Surfer "Oh No Concerto"
Monday, April 5, 11pm
Thursday, April 8, 11pm
Friday night/Saturday morning, April 10, 3am
Saturday, April 10, midnight

443. “Reality Playings” 12/18/09 Temescal Arts Center, part two / Matthew Silver and Jackson Evans - "Gods of Porcelain and Plumbing" / Satoko Fujii Orchetsra at 11th Yamaha Jazz Festival in Hamamatsu 2002 / Andy Ellison & T.Rextasy "No Russians In Russia"
Monday, April 12, 11pm
Thursday, April 15, 11pm
Friday night/Saturday morning, April 17, 3am
Saturday, April 17, midnight

http://www.eroplay.com/fmup2005/index.htm l

* * * * *

(Seth wrote:)

great thanks linda! miss you guys!

hey,

Hi Annie,

We will be playing "Sluts and Goddesses" on Berkeley's Public Access t.v. in March!
Below are the dates/times.

* * * * *

Lovely. Thanks fo rletting me know.
but i've seen it already!

Why not pay Amazing world of orgasm? which frank and you are in. Or maybe you have.
I' off to vienna.
Annie

* * * * *

Annie, we have played the orgasm documentary a long time ago! I don't miss a trick... I am a good sex-worker!

In Freedom,
Frank Moore

Re: [photos of the flier-ripper]

Interesting! We are planning to make a Jim Sharp presentation at tomorrow's city council meeting. You and/or your people are welcome to come. Chris Worthington is on our side and supposedly will bet getting us at least a couple minutes to present a video or statement...

Max

* * * * *

good luck tonight! Unfortunately we can't be there except in Spirit... But oh what a Spirit!

In Freedom,
Frank Moore

Monday, March 8, 2010

Re: old TV

What should we do with the old TV?
------------------------
-- Corey & Alexi

* * * * *

freecycle it.

Hot shit!
Linda Mac

* * * * *

We posted it this morning, and it just got picked up! It went to a Richmond high school teacher Kenne, who teaches science and english to special ed. classes. His old TV was about to die, so this was a great stroke of luck for him! He said kids come into his class on their lunchbreak too and watch movies.

* * * * *

why we always recycle! Opens all sorts of possibilities!

In Freedom,
Frank Moore

Sunday, March 7, 2010

[photos of the flier-ripper]







hi, Max! The fliering wackos are stepping up… Literally!

When Corey was doing our garden yesterday, he heard our nextdoor neighbor [a history professor (her specialty is German female criminals of the dark ages] Kathy whistling down her driveway, and making the sounds of getting her bike ... Corey had a strong feeling that she was heading out to tear down our fliers ... he went down the driveway and peeked out of a crack in the gate to see her go by ... she went striding by with a huge tree pruner, heading toward Gilman! When she had gone by, Corey went back to the BH for our camera, and told Alexi what was happening ... he ran back and peeked around the corner of the apartments ... there she was on Gilman, tearing down all of our fliers! Corey took long distance pics of her doing it ... they didn't come out all too good, but you could definitely see what she was doing ... He got about 4 shots of her at different poles, and made sure that she didn't see him doing it. The photos are below.

Also last night my guys did a fliering run in San Francisco. Here is their report:

We had a little system: as soon as we reached a pole, Alexi would set his coffee on top of Corey's, Corey would hold the flier to the pole, and Alexi would tape it on, then grab his coffee back, and Corey would slip a handout in the side! Multiple hands! But almost as soon as we started fliering, we ran into a DPW guy in his yellow outfit ... we had seen crews on 24th St. cleaning up the streets ... never had seen them there before. He saw us put up the flier, and told us that he was going to have to take it right down because they were instructed to remove every flier they saw, because it was "vandalism and graffiti". You could tell that he didn't feel good about doing it, but he had to do it, it was what he was instructed to do, and he wanted to let us know ... at one point he said that he often wanted to be able to tell the people putting up the fliers in person that it may be that they didn't get the amount of people they were expecting to their event because he and others on his crew took down all their fliers ... We explained to him that the DPW website outlines the legal ways in which you can flier San Francisco, that there is a whole set of instructions as to what is acceptable, and that we follow it to the letter, and we detailed some of the guidelines, showing him the stamped post date, etc.. It is legal, according to SF city codes, as long as it falls within these guidelines, and that we have run into this situation before with other DPW workers. He had no idea ... He said his supervisor just tells him that they should rip down any and every flier, because it is "vandalism and graffiti". He would get into trouble if they came back later and found that they had left fliers up! He thanked us for telling him ... but he still had to do his job ... We asked him when they finished with 24th? He said 8. Well, we were able to get them all up on 24th, because we covered all the ground that they had already scoured, and then by 8, we were heading toward the end of the street where they had just finished, and they were all gone by the time we completed the area. So perhaps we would get one day of fliers up there! It was interesting that DPW was now showing up on 24th ... because we were noticing more and more young white yuppie types there ... moving into the mostly latino area ... We wondered about calling the DPW office and asking them about this conflict between the city codes for posting fliers and what the DPW workers do on the streets? We felt like the fliering in SF went well ... sometimes you just got a good feeling that the fliers would be up for at least a little while ... especially seeing other fliers that were still up for Friday night events!

FRANK MOORE'S UNLIMITED POSSIBILITIES on BTV, Ch. 28, March-April 2010

FRANK MOORE'S UNLIMITED POSSIBILITIES on BTV, Ch. 28, March-April 2010

you can watch the show online at:
http://www.betv.org/btv28/btv.asx

430. “Reality Playings” 9/26/09 Temescal Arts Center part one / Kindred Souls "Whatchagonnado?" / Dufus "Fun Wearing Underwear"
Monday, March 1, 11pm
Thursday, March 4, 11pm
Friday night/Saturday morning, March 6, 3am
Saturday, March 6, midnight

438. Jonathan Krop & Barb Orr / Persephone's Bees music videos (“Way to your Heart” & "New Love")
Monday, March 8, 11pm
Thursday, March 11, 11pm
Friday night/Saturday morning, March 13, 3am
Saturday, March 13, midnight

439. Kevin Becketti, Jawbone Press / Annie Sprinkle "Sluts & Goddesses" / Fidget "Vanity Fair" UNCENSORED
Monday, March 15, 11pm
Thursday, March 18, 11pm
Friday night/Saturday morning, March 20, 3am
Saturday, March 20, midnight

440. Persephone’s Bees + Jonathan Krop & Barb Orr / Persephone's Bees videos
Monday, March 22, 11pm
Thursday, March 25, 11pm
Friday night/Saturday morning, March 27, 3am
Saturday, March 27, midnight

441. “Reality Playings” 11/20/09 Temescal Arts Center / The Silver Buff Anti-Graffiti Vigilante Rips Down Posters / CPS - "Big Noise" / Fidget "Vanity Fair" / Snake River Conspiracy "Vulcan"
Monday, March 29, 11pm
Thursday, April 1, 11pm
Friday night/Saturday morning, April 3, 3am
Saturday, April 3, midnight

442. “Reality Playings” 12/18/09 Temescal Arts Center, part one / 2 clips and trailer from Vigilante Films / Monogamy / Lori Surfer "Oh No Concerto"
Monday, April 5, 11pm
Thursday, April 8, 11pm
Friday night/Saturday morning, April 10, 3am
Saturday, April 10, midnight

443. “Reality Playings” 12/18/09 Temescal Arts Center, part two / Matthew Silver and Jackson Evans - "Gods of Porcelain and Plumbing" / Satoko Fujii Orchetsra at 11th Yamaha Jazz Festival in Hamamatsu 2002 / Andy Ellison & T.Rextasy "No Russians In Russia"
Monday, April 12, 11pm
Thursday, April 15, 11pm
Friday night/Saturday morning, April 17, 3am
Saturday, April 17, midnight

http://www.eroplay.com/fmup2005/index.html

DON'T MISS THIS LIVE ON LUVER! (aired 2/23/10)

HTTP://WWW.LUVER.COM
Contact: Jeremy Weir Alderson, 607-546-2084

"BROADCAST TO ASK DETROIT: WHY NOT END HOMELESSNESS NOW?"

13th Annual Homelessness Marathon begins 7 p.m., EST, Tues. Feb 23rd
and run for 14 hours until 9 a.m., EST, Wed. Feb. 24th

"We have a mindset in this country that homelessness is a problem that can wait," comments Jeremy Weir Alderson, founder of the Homelessness Marathon, "but it's a dire emergency for the people who are homeless, a drain on our economy, and a stain on our national honor. We ought to solve this problem, and we could if we would only turn our attention to it."

The Homelessness Marathon will address the problem of homelessness by speaking directly with homeless people, who will give their first-hand testimony on how they became homeless and the obstacles they face before they can be housed again.

Homeless people will be brought by bus, in shifts, so that they can participate in this event and speak directly to the nation. They will be brought by shelters, advocacy groups, and grass roots organizations formed by homeless people themselves.

The broadcast will feature, as well, such speakers as Ron Gettlefinger, president of the United Auto Workers, and two of America's most outstanding anti-poverty advocates, Cheri Honkala, director of the Poor Peoples' Economic Human Rights Campaign and Paul Boden, director of the Western Regional Advocacy Project.

Prominent advocates from Detroit will participate, including Rev. Faith Fowler, director of Cass Community Social Services and Maureen Taylor, the state chairperson of Michigan Welfare Rights Organization.

Experts from elsewhere in the country will also participate, including Kathleen Johnson, director of Katrina Relief in Mississippi and Mike Rhodes, editor of the Community Alliance newspaper in Fresno, California, arguably, the cruelest city in America towards its homeless citizens.

The broadcast will originate from 12025 Woodrow Wilson St., a "green gym" recently opened by Cass Community Social Services for the use of its homeless clients. Detroit area radio stations participating in the broadcast will include, WHFR in Dearborn, the broadcast's host station; WHPR in Highland Park and CJAM in Windsor, Ontario.

The Homelessness Marathon is a consciousness-raising not a fund-raising broadcast. There will be no on-air solicitations. The broadcast will be made available to stations free of charge via the Public Radio Satellite System, The Pacifica Satellite and the Pacifica Audioport.

More information about the broadcast can be found at: http://www.homelessnessmarathon.org

Acclaim for the broadcast can be found at:
http://homelessnessmarathon.org/2008/2009/thank-yous-acclaim.html

Saturday, March 6, 2010

I would like to use some of the materials ...

Frank,

I would like to use some of the materials which you have published on the web in a multi-media project for an education class at Fort Lewis College, Durango, CO. I have attached a copy of the description of the assignment. This is a class for people who are going to be high school teachers. I am going to be a Spanish teacher myself. What we are trying to determine are the answers to basically two questions:

1. What was it, exactly, that allowed you to overcome the limitations of your disability, condition, or exceptionality, whatever you want to call it, and to succeed in life? Was there a teacher, a person, family, or assistive technology which you found particularly helpful or inspiring?

2. What can we do, as teachers, to make our classrooms more accessible to people like yourself?

I noticed that you have done some rock music. Is there a music video somewhere on the site that I could use? If you are agreeable, I may have some more questions to ask. Thank you for any help you may want to provide.

Thank you.

Earle Horton
P.S. I remember you from the Brotherhood of the Spirit community. That was a long time ago. I regret missing the Renaissance Community mailing list conversations, but I got a copy of the Archives from Stephen Wolfson and read them later. What an odd bunch of people we were.

* * * * *

hi, Earle! Interesting class.

Well, I was lucky. My Mom and grandma didn't believe the doctors who said I didn't have any IQ and should be institutionalized. Instead Mom pushed me into life. When schools wouldn't take me, Mom taught me at home, but made sure I was in the boy Scouts, etc. and when I did attend school, I was lucky because for the most part I had Teachers with high expectations without limiting pictures, who pushed me. So I had high expectations without limiting pictures. So as Teachers, have high expectations without limiting pictures of all of your students. [lose "people like yourself " picture.]

I write about this in my ART OF A SHAMAN [see http://www.eroplay.com/Cave/ArtShaman/artsham.html ]. And for an overview of my work, check out http://www.eroplay.com/Cave/shaman.html . If you don't care about me singing nude, there are a lot of videos of our jams up there. If you want me singing dressed, we can put a video up. When do you need it by?

One of the things going for me was I am the kind that things come easy to. I am flexible. I don't care about what is "normal, " what's "the right way." I just play!

Please ask me more questions!

Oh, I just wrote this when my favorite teacher died:
* * * * *

I was in the orthopedic handicapped class [to use the language they used back then] when they moved us high school aged disabled students from an elementary school campus to Redlands High School campus so that we could take regular classes. This was in 1964. So for two years I had Mr. Haight as my teacher. I have always been that lucky!

I probably had a history class with him. But what is stuck in my mind is his World Cultures class. We sat in a circle so we all could see one another, talk directly to one another on an equal basis … not like in the regular row seating. We did learn about the World Cultures, and therefore diversity. But there was much more going on in the class. Mr. Haight got us to listen to one another, to reveal what we really felt and thought … not in a debating environment where you had to defend yourself … but in an environment of exploring. So the shy kids had the same access as the whiz kids. Mr. Haight created this environment with a warm chuckling humor and high expectations. I probably ripped off a lot of his style. I hope I did!

I wasn’t one of the shy kids. I was an opinionated big mouth. But I communicated by a head pointer and letter board. [I also typed with the pointer.] I only invented the head pointer a few months before I entered the class. But because of the environment, I could fully engage in the discussions.

When Ruth, John and I with a couple of other weird kids started a political club, Mr. Haight was our adviser. And when we wanted to print our own underground paper, he printed it on the school’s mimeograph machine. He talked in my defense when my radical political opinions in my column in the school paper got me in to hot water. Back then the disabled weren’t supposed to be radical or even political, just religious! But Mr. Haight didn’t see me as a disabled student, but as a passionate kid with something to contribute.

Really it was the two years that what was the Fifties transformed into what was the Sixties. And I think Mr. Haight did a lot of that transforming! This is obvious within his classroom. But I remember my mother and I going to his house for a study group about Vietnam. I also remember us and him on the picket line about the Vietnam War in Redlands! This was before it was fashionable anywhere … but in Redlands of all places!

Now fast forward to the early eighties … I ran into him in San Francisco. He was tickled at how my life had turned out, how I was a director, how I had relationships, etc. For awhile he was thinking of “investing” in my first film. But in the end he decided to use his money to take a bike tour around Europe with his wife. This made perfect sense to me. I learned how to make love with life from Mr. Haight!

Frank Moore
1/7/2010